Showing posts with label gramma. Show all posts
Showing posts with label gramma. Show all posts

Friday, August 29, 2014

Pretty good results

Continuing up the ladder from middling contest results, we can now enjoy reflecting on some that did a little better.

We had the first coordinates contest we've had for awhile, with a theme of sewing notions. I decided right off to expand on my existing stitching design, using the colors I originally tried out on the feather design. For the other coordinating designs, I immediately wanted to include hooks and eyes, since I've always found those very aesthetically appealing. And the pink in the color scheme reminded me of the pink sewing box Gramma Liz gave me for Christmas one year, soon after I really got into sewing as a kid, filled with all colors of thread and interesting notions. If I had more time, I would have drawn a bunch of different sewing accouterments flying out of it, but instead focused on the box itself. For the last pattern, I just wanted to do some kind of silhouette that I could fill in with different textures, so I went with ironing boards.

Potential of the sewing box - coordinates

This got 95 votes and came in the top third of entries. I'm particularly happy with how the hooks-and-eyes design turned out. The entries this week were honestly quite repetitive (so many spools of thread!) but my favorites were these two.

Then a bit of a strange theme - beards and mustaches.  I included all the animals I could find that have something resembling facial hair. For the colors, I reused the set I've used a couple times for different animal patterns.

Magnificent Beards of Nature

This got 78 votes, and alllllmost made it into the top quarter of entries. My favorite was this psychedelic assortment.

Saturday, March 15, 2014

History, both recent and not-so-recent

Time to give an update on how my latest contest entries have done. But one other point of news: my "Baby's Book of Computer Science" has just exceeded 100 "favorites"! (In fact, 105 at the time I'm writing this.) Nothing else is even close - 22 for the painters' eggs, 21 for the ghosts, and a bunch in the teens. On to the more recent ones!

First, the theme was "history of Jazz." I'm not a big fan of the genre, but took a stab at it anyway. According to Wikipedia, the principle characteristics of jazz are polyrhythms, swung notes, syncopation, blue notes, and improvisation. Also, much of it carries on from African musical traditions, many from the Congo River region, so I wanted to tie in a little of that for the "history" part of the theme. I looked at textile designs from the cultures in that part of the world, and found this one, from Kuba culture, that called to me. I took the inner checked sections and adapted them into ovals.

I used the inner grids to represent notes, which are offset in different ways to represent they polyrhythms, swung notes, and syncopation. And of course some colored blue for the blue notes. The improvisation is represented by the links between the ovals, letting you take varying paths all around the design.

I had no idea what colors to use, so I looked around for jazz-inspired schemes until I found this one I liked:
Animal_jazz
Color by COLOURlovers

And it all came together like so:

Jazz Principles Kuba Cloth

This came in the bottom fifth, with 24 votes. My favorite was the one inspired by kente cloth.

Next the inspiration was "gemstones and geodes." This was another one like Great Barrier Reef that I found intimidating. I realized I had a design already that contained some gemstones - rubies and pearls in my literal computer languages. So I took just those elements and made them a coordinating design.

Rubies and Pearls

This came in juuuust above the bottom third, with 33 votes. My favorite entries were the pebbles, turquoise, and retro graphic jewels.

And finally, in honor of International Women's Day, we had to do a design inspired by inspirational women - leaders, scientists, etc. BUT, it had to be a toile. Hmm. For subject matter, I picked up something from my own family history. During WWII, my grandmother was one of many students who worked as a "civilian computer" for the US Army. (Big thanks to my dad for supplying more information about this!) She had to analyze pictures that had been taken of blinking lights on bombs dropped out of planes, extracting data that would eventually allow bombing tables to be calculated. Nowadays, this kind of thing would of course be done in a fraction of the time on an (electronic) computer.

However, these civilian computer projects were in fact a key step towards the development of modern computers, and some of the women who worked there went on to be the first programmers of ENIAC. (Among them: Adele Goldstine, who wrote the world's first computer manual, and Betty Holberton, who was responsible for the classic beige color of all our computer cases for so many years) It was nice to learn that women had key roles in so many milestones like this. As a computer programmer today, it sometimes feels a little odd to be one of the few women in the engineering department. Finding out things like this remind me - I'm not an anomaly!

So for the toile, I honored those young wartime computers who set the foundation for all that.

WW2 Civilian Computer Toile

I collected a board of 40's daywear to try to get a feel for the clothes (and hair!), including pictures of women working as computers or operating ENIAC. The lettering is inspired by the look of contemporary typewriters, such as used for the ENIAC manual. The colors are also supposed to be forties-ish - forest green on pink.

This came in, again, in the bottom fifth, with 37 votes. My favorite, for having both good subject matter, visual appeal, and fits in the "rules" of being a toile, was probably the blue one with many different female scientists.